Masked DJ I Hate Models broke through in the mid-2010s, the course textures, ethereal atmospherics, and jackhammer kicks of his EPs for Arts, Toxic Waste Buried and Monnom Black acting like a jolt of electricity in a techno scene that felt increasingly stale. As his sound — hard, raw, euphoric — has evolved and industrial-strength dance music has become a global force, I Hate Models has remained a leading proponent, with gigs like Ultra Miami and EDC Las Vegas — and his Top 100 placement — a sign of just how far he and his sound has come.



































































































