DJ K

Baile funk’s vanguard

The explosion of baile funk and its various subgenres has been a boon for Brazilian producers, from BADSISTA to DJ Ramon Sucesso. But with that globalization comes increasing gentrification — anyone dropping a syncopated club tune with some subs is calling their music ‘funk’. Luckily, real innovators are figuring out ways to keep pushing the genre forward. Enter DJ K. Last year, he introduced the world to his own variant of funk — bruxaria — and now he returns with a record that continues to refine a sound at the absolute vanguard. This is not music for the faint of heart. Each track sounds like a miniature apocalypse: vocals hit with the intensity of punk lyrics, strange and contorted melodies burst with the pressure of gunfire, while the bass sounds like it’s trying to break inaudible decibel levels. This is funk spelled ‘f-u-c-k-y-o-u’.

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Kloke

Lucid jungle vision

British producer Kloke appeared in 2008 with a series of forward-thinking post-dubstep releases, before trying his hand at ambient. Now based in Melbourne, he’s switched his focus to jungle, releasing on labels like Future Retro and Diamond Life, as well as collabing with Tim Reaper for a LP on Hyperdub. ‘Lucidity’ arrives via Samurai’s jungle imprint Mindgames and brims with Kloke’s immaculately edited, adventurous beats. On the title cut, dramatic chords precede a drop into layered drum chops, while on ‘The Man Who Began To Suspect He Was Made Of Glass’, mechanoid bass slithers around the metallic breaks like a chrome snake. ‘Odyssey’ is like one of his ambient tracks printed onto a ferocious Amen avalanche. Kloke cleverly balances jungle precepts with fresh ideas on a gem of an LP.