Splice announces new integration with Pro Tools

Splice has announced a new integration with AVID’s Pro Tools.

The new feature allows users to select and browse through Splice’s library of millions of samples directly from the DAW, allowing drag-and-drop integration directly onto the timeline.

Pro Tools users can also drag audio, samples and sounds from the timeline into the new Splice window and search for sounds in the Splice catalogue that match that audio, similar to Splice’s own AI-powered CoSo and Create A Stack features that launched over the past few years.

You can even select multiple tracks of audio and drag them in, and Splice will analyse them all together and recommend new audio that’s most compatible. Splice will automatically time stretch any samples to match the BPM of the project, and you can also hit the Transpose switch and it will automatically transpose samples to the key of your project.

Speaking about the integration, Avid’s SVP of Product, Kenna Hilburn, said, “Whether producers and artists are sketching out ideas, building out tracks, or applying final touches, Pro Tools’ Splice integration provides a more powerful environment for creating music — giving users the ability to quickly find the perfect sound while staying in their creative flow.”

In April, Splice announced it had acquired virtual instrument company Spitfire Audio for a reported $50 million (USD). That followed the launch of a new feature for its iOS app called Splice Mic.

Find out more about the Pro Tools integration over on the Splice blog and watch the video below to see how it works.

Most Popular

A New Stage: How Digital Festivals Are Redefining Cultural Events

For generations, the concept of a festival has been intrinsically tied to a physical place: a muddy field, a sun-drenched desert, a historic city square. It was about the collective energy of a crowd, the reverberation of bass in your chest, and the serendipitous encounters that transform a series of performances into a rite of passage. Then, the world pressed pause, and out of necessity, a new stage was built—one constructed from pixels, code, and fiber optic cables. The digital festival was born.

Initially seen as a temporary substitute, the virtual festival has rapidly evolved into a distinct and powerful cultural format. It is redefining how we create, consume, and connect with art and music, forcing us to question the very essence of what a shared experience can be. This evolution isn’t about replacing the in-person event, but rather about creating a new, parallel universe of cultural engagement. By comparing the two realms, we can better understand the unique opportunities and inherent limitations of this new frontier.

In-Person vs. Virtual: A Tale of Two Experiences

To appreciate the rise of digital festivals, we must first understand how they differ from the traditional model. The experience is not simply a livestream; it’s a fundamental rewiring of the festival DNA.

Atmosphere and Community:

  • In-Person: The magic of a physical festival is tangible. It’s the spontaneous roar of the crowd, the shared awe of a sunset performance, and the unspoken camaraderie forged while waiting in line. This collective effervescence—the feeling of being part of something larger than yourself—is powerful and difficult to replicate.
  • Virtual: Digital festivals foster a different kind of community—one that is global, borderless, and connected through chat windows, comment sections, and shared virtual spaces. While it lacks physical immediacy, it offers a surprisingly intimate connection, allowing fans from opposite sides of the world to share a moment in real-time. Events like Tomorrowland’s “Around the World” used intricate 3D environments to give attendees a sense of shared space and exploration.

Accessibility and Inclusivity:

  • In-Person: Traditional festivals are inherently exclusive. They are limited by geography, ticket price, travel costs, physical ability, and venue capacity. For many, attending a dream festival is simply not feasible.
  • Virtual: This is where digital festivals unequivocally shine. They demolish barriers to entry. Anyone with a stable internet connection can attend, opening up world-class cultural events to a global audience. This democratization of access allows people with disabilities, financial constraints, or family commitments to participate in events they would otherwise miss.

The Sensory Experience:

  • In-Person: A live festival is a full-body sensory assault—the smell of food stalls, the feeling of the ground vibrating, the visual spectacle of lights and art. It is an all-encompassing, and sometimes overwhelming, physical experience.
  • Virtual: The experience is primarily audiovisual and mediated through a screen. However, this limitation breeds innovation. Artists and organizers can create experiences impossible in the real world. Think of Travis Scott’s concert within the video game Fortnite, where the virtual landscape warped and changed with the music, creating a psychedelic, interactive spectacle for millions. This is not just watching a concert; it’s stepping inside it.

The Unlocked Opportunities of the Digital Realm

Beyond simply replicating the live experience, digital festivals present entirely new opportunities for artists, organizers, and audiences.

1. A New Canvas for Creativity: The digital space is a playground without physical limitations. Artists are no longer bound by stage size, gravity, or safety regulations. Using augmented reality (AR), virtual reality (VR), and game engine technology, they can build immersive worlds, design interactive narratives, and allow the audience to influence the performance. This transforms passive viewership into active participation, creating entirely new art forms that are a hybrid of concert, video game, and immersive theatre.

2. Global Reach and Rich Data Insights: While a physical festival might host 200,000 people, a digital version can reach millions. This global reach is a massive opportunity for branding and audience building. Furthermore, digital platforms provide organizers with a treasure trove of data. They can see which artists had the most engaged audience, how long people “stayed” at a virtual stage, and what content was most shared. These insights are invaluable for future programming and tailoring experiences to audience preferences in a way that is impossible with anonymous physical crowds.

3. Sustainability and New Revenue Models: Digital festivals have a significantly smaller carbon footprint, eliminating the need for mass travel, on-site waste, and vast energy consumption. This aligns with a growing demand for more environmentally conscious entertainment. Economically, they open doors to new revenue streams, including tiered digital tickets (basic stream vs. VR backstage pass), virtual merchandise (like avatar skins), and targeted digital sponsorships.

The Inherent Limitations of the Virtual Stage

Despite the innovation, the digital format faces significant challenges that prevent it from completely supplanting the real thing.

1. The Battle for Attention: In a world of endless digital content, “Zoom fatigue” is real. A virtual festival is not just competing with other festivals; it’s competing with Netflix, social media, and every other tab open on a user’s browser. Keeping an audience captivated for hours through a screen, without the physical commitment of being on-site, is an immense challenge.

2. The Absence of Spontaneity: Some of the most cherished festival memories are unplanned: discovering a new band on a small stage, making friends with your campsite neighbors, or getting lost in an art installation. The curated, on-demand nature of many digital events can strip away this element of serendipity and adventure.

3. Technical and Monetization Hurdles: The experience is entirely dependent on technology. A poor internet connection, server crashes, or device incompatibility can ruin the event for a user. Furthermore, the industry is still grappling with how to effectively monetize digital events. The perceived value of a digital ticket is often lower than a physical one, making it difficult to replicate the revenue of a traditional festival.

Conclusion: The Dawn of the Hybrid Era

The rise of digital festivals has not signaled the end of in-person events. Instead, it has expanded our definition of what a festival can be. We’ve learned that community can be forged through fiber optics as well as in fields, and that immersion can be created with code as effectively as with concrete and steel.

The future is not a binary choice between physical and virtual. It is hybrid. We will see festivals offering a physical ticket for the traditional experience and a digital pass for a global audience, with exclusive online content and interactive features. This hybrid model combines the accessibility and creative freedom of the digital world with the irreplaceable, tangible magic of the live experience, creating a more inclusive, sustainable, and innovative future for cultural events worldwide.